Exhibition
A Proposal to project in Scope
6.-22.2. 2026, Situations/Projections, Reflet Machine, Paris
A Proposal to project in Scope
6.-22.2. 2026, Situations/Projections, Reflet Machine, Paris
Screening
A Proposal to project in Scope & A Proposal to project in 4:3
13.1.2026, Cinemateca Portuguesa, Lisboa
A Proposal to project in Scope & A Proposal to project in 4:3
13.1.2026, Cinemateca Portuguesa, Lisboa
Rojo Žalia Blau
Erste Bank Film Award – Viennale Film Festival
Jury Statement:
Viktoria Schmid’s ROJO ŽALIA BLAU is a landscape study – shot in the forests and seasides of Spain, Lithuania, and Lower Austria – that utilizes a simple but evocative technique: color separation photography (the basis of golden age Hollywood’s Technicolor process), by which the same scene is filmed in black-and-white using three different color filters, and then printed through the same filters, resulting in a full spectrum of visible color. But by shooting the same strip of film three successive times – rather than simultaneously, as in the manner of “true” Technicolor – Schmid is able to conjure an extraordinary, uncanny visual experience in which the colors drift in and out of sync depending on the degree of movement within the landscape or between the shots. The film’s technique is far more than a formal experiment: it becomes essentially a way of photographing time, with three different temporalities layered into a single (intoxicating) image and made visible only due to the movement produced by wind, wave, sun, and shadow. Achieving an astonishing fusion of color, motion, time, and philosophical inquiry, ROJO ŽALIA BLAU also holds a special resonance in an era in which it has become particularly important to explore the space that exists between “truth” and the image.
Erste Bank Film Award – Viennale Film Festival
Jury Statement:
Viktoria Schmid’s ROJO ŽALIA BLAU is a landscape study – shot in the forests and seasides of Spain, Lithuania, and Lower Austria – that utilizes a simple but evocative technique: color separation photography (the basis of golden age Hollywood’s Technicolor process), by which the same scene is filmed in black-and-white using three different color filters, and then printed through the same filters, resulting in a full spectrum of visible color. But by shooting the same strip of film three successive times – rather than simultaneously, as in the manner of “true” Technicolor – Schmid is able to conjure an extraordinary, uncanny visual experience in which the colors drift in and out of sync depending on the degree of movement within the landscape or between the shots. The film’s technique is far more than a formal experiment: it becomes essentially a way of photographing time, with three different temporalities layered into a single (intoxicating) image and made visible only due to the movement produced by wind, wave, sun, and shadow. Achieving an astonishing fusion of color, motion, time, and philosophical inquiry, ROJO ŽALIA BLAU also holds a special resonance in an era in which it has become particularly important to explore the space that exists between “truth” and the image.
Screenings
Rojo Žalia Blau
14.10.2025, Underdox Festival, München
11.10. + 16.10.2025, Festival du Nouveau Cinéma, Montréal
24.10. + 26.10.2025, Viennale Film Festival
Rojo Žalia Blau
14.10.2025, Underdox Festival, München
11.10. + 16.10.2025, Festival du Nouveau Cinéma, Montréal
24.10. + 26.10.2025, Viennale Film Festival
Art Fair
A Hello to Technicolor
available at
Viadukt Screen Prints
Brooklyn Fine Art Print Fair
27.–30.3.2025, Powerhouse Arts, Brooklyn
A Hello to Technicolor
available at
Viadukt Screen Prints
Brooklyn Fine Art Print Fair
27.–30.3.2025, Powerhouse Arts, Brooklyn
Solo Screening
Lichtblicke: Carte blanche à Viktoria Schmid
Scratch Projection by Lightcone
18.3.2025, Luminor Hôtel de Ville, Paris
Lichtblicke: Carte blanche à Viktoria Schmid
Scratch Projection by Lightcone
18.3.2025, Luminor Hôtel de Ville, Paris
Screening
NYC RGB & WOW (Kodak)
dfi-Symposium DOING TIME – Dokumentarische Operationen im Umgang mit Zeit
9.1.2025, Filmhaus Köln
NYC RGB & WOW (Kodak)
dfi-Symposium DOING TIME – Dokumentarische Operationen im Umgang mit Zeit
9.1.2025, Filmhaus Köln
Screening
NYC RGB
Prisme #7 / Argentique du futur
5-13.12.2024, Nantes, Saint-Nazaire, La Roche-sur-Yon
NYC RGB
Prisme #7 / Argentique du futur
5-13.12.2024, Nantes, Saint-Nazaire, La Roche-sur-Yon
Screening
KatharinaViktoria & KatharinaViktoria 2(021)
as part of Life Courses, screened with Max Thurnheim (Friedl vom Gröller)
25.3.2024, Filmmuseum, Vienna
KatharinaViktoria & KatharinaViktoria 2(021)
as part of Life Courses, screened with Max Thurnheim (Friedl vom Gröller)
25.3.2024, Filmmuseum, Vienna
Screenings 2024
NYC RGB
Braunschweig Film Festival, Germany
Image Forum, Tokyo
DMZ Docs, Korea
Il cinema ritrovato, Bologna
La Inesperada, Barcelona, Spain
Filmfest Dresden, Germany
Flatpack Festival, Birmingham
Static Vision, Sydney / Melbourne
European Short Film Day, Manchester
ba̍k-nih-á film festival, Tapei
Midnight Sun Festival, Finland
Richmond Film Festival, US
NYC RGB
Braunschweig Film Festival, Germany
Image Forum, Tokyo
DMZ Docs, Korea
Il cinema ritrovato, Bologna
La Inesperada, Barcelona, Spain
Filmfest Dresden, Germany
Flatpack Festival, Birmingham
Static Vision, Sydney / Melbourne
European Short Film Day, Manchester
ba̍k-nih-á film festival, Tapei
Midnight Sun Festival, Finland
Richmond Film Festival, US
Screenings 2023
NYC RGB
Encounters Film Festival
International Film Festival Vancouver
Festival du Nouveau Cinéma
Scratch Collection, Lightcone, Paris
Curtocircuíto
Antimatter Film Festival
IndieCork Festival
International Film Festival Zagreb
Uppsala Short Film Festival
Light Matter Experimental Film Festival
KortfilmfestivalLeuven
NYC RGB
Encounters Film Festival
International Film Festival Vancouver
Festival du Nouveau Cinéma
Scratch Collection, Lightcone, Paris
Curtocircuíto
Antimatter Film Festival
IndieCork Festival
International Film Festival Zagreb
Uppsala Short Film Festival
Light Matter Experimental Film Festival
KortfilmfestivalLeuven
NYC RGB was awarded the Austrian Short Film Award and qualified for the Academy AwardⓇ at Vienna Shorts.
Jury statement: We are honoring a film that splendidly celebrates the non-repeatability of the present moment. An equally concise and immersive study of time and light, color and material, which ties in with historical film experiments and yet speaks its own language with echoes of the recent past—a past in which the metropolis is at a standstill as a topos of breathtaking modernity, while we follow the poetry of small movements. The Austrian Short Film Award goes to NYC RGB by Viktoria Schmid.
Screening
A Proposal to project in 4:3
Revolutions Per Minute Festival, Boston, 4.5.2023
Millennium Film Workshop, Brooklyn, 6.5.2023
A Proposal to project in 4:3
Revolutions Per Minute Festival, Boston, 4.5.2023
Millennium Film Workshop, Brooklyn, 6.5.2023
Screening
IT’S A DANCE + NYC RGB
(Un)choreographed Realities curated by Bettina Brunner
MUMOK Kino, 19.4.2023,
IT’S A DANCE + NYC RGB
(Un)choreographed Realities curated by Bettina Brunner
MUMOK Kino, 19.4.2023,
Screening
W O W (Kodak) + A Proposal to project in 4:3
ANALOG IMAGINATION curated by Philipp Fleischmann.
Go Short, Kurzfilmtage Oberhausen, Indie Lisboa, Vienna Shorts, Uppsala Short and Short Waves
as part of European Short Film Network
Exhibition
The clouds are not like either one – they do not keep one form forever
light cone’s SCRATCH EXPANDED #10, Paris
17.–18.6.2022
The clouds are not like either one – they do not keep one form forever
light cone’s SCRATCH EXPANDED #10, Paris
17.–18.6.2022
Screening
A Proposal to project in 4:3
A Proposal to project in Scope
KatharinaViktoria
KatharinaViktoria 2(021)
Kurzfilmtage Oberhausen
5.–9.5.2022
A Proposal to project in 4:3
A Proposal to project in Scope
KatharinaViktoria
KatharinaViktoria 2(021)
Kurzfilmtage Oberhausen
5.–9.5.2022
Screening
A Proposal to project in 4:3
A Proposal to project in Scope
IMAGELESS FILMS: STRUCTURING ABSENCE – THE FRAME
Anthology Film Archives, NYC
1.4.2022
A Proposal to project in 4:3
A Proposal to project in Scope
IMAGELESS FILMS: STRUCTURING ABSENCE – THE FRAME
Anthology Film Archives, NYC
1.4.2022
Interview
In conversation with Ângela Berlinde for das weisse haus – dwhx space project
In conversation with Ângela Berlinde for das weisse haus – dwhx space project
Screening
A Proposal to project in Scope
Prisme #4 Argentique du futur
Nantes, Saint Nazaire, La Roche / Yon
3.12.2021–13.12.2021
A Proposal to project in Scope
Prisme #4 Argentique du futur
Nantes, Saint Nazaire, La Roche / Yon
3.12.2021–13.12.2021